| |
JOHN TESSIER, Tenor
Biography
The Juno Award
winning Canadian John Tessier has gained attention and praise for
the beauty and honesty of his voice, for a refined style and
artistic versatility, and for his handsome, youthful presence in the
lyric tenor repertoire.
He has worked with many of the most notable conductors of our
day including Lorin Maazel, Leonard Slatkin, Plácido Domingo, John
Nelson, Franz Welser-Möst, Donald Runnicles, Robert Spano, and
Bernard Labadie.
During the 2008-09
season John Tessier’s operatic diary includes two prominent house
debuts: he bows as Almaviva in The Barber of Seville at the
English National Opera and as the Steuermann in a new Tim Albery
production of Der Fliegende
Holländer at the Royal Opera House, Covent
Garden, conducted by Marc Albrecht. The artist returns to
Glimmerglass Opera to sing Ramiro in La Cenerentola for
Glimmerglass Opera, a role he covers for his debut on the roster of
the Metropolitan Opera in performances conducted by Maurizio
Benini. On the concert
stage, he gives performances of Berlioz’ L’enfance du Christ under
the baton of John Nelson in Spain, Britten’s Serenade for Tenor, Horn, and
Strings with Carl St. Clair and the Pacific Symphony Orchestra,
and Beethoven’s Symphony No. 9 with Itzhak Perlman and the Russian
National Orchestra at Festival of the Arts Boca.
Performances of the last season included Don Giovanni for his debut
at the Washington National Opera, L’Italiana in Algeri at
Vancouver Opera, Falstaff
for the New York City Opera, Il viaggio a Reims at Oper
Frankfurt, and I Capuleti e i
Montecchi for Glimmerglass Opera. His busy concert schedule
brought him to the Nashville Symphony for performances and a
recording of John Corigliano’s A Dylan Thomas Trilogy, to
the Minnesota Orchestra for performances and a recording, under the
baton of Osmo
Vänskä, of Stephen Paulus’ To Be Certain of the Dawn,
to the San Francisco Symphony for Haydn’s Mass in the Time of War with
Bernard Labadie, and to Wheaton College for Berlioz’ Requiem with John
Nelson.
On the opera stage John Tessier has sung Il Barbiere di Siviglia for
New York City Opera, Edmonton Opera, Austin Lyric Opera, L’Opéra de
Québec, and in a new Leon Major production for Glimmerglass Opera,
L’elisir d’amore at the
New York City Opera, Lakmé for the operas
of Calgary and Edmonton, Così fan tutte at Vancouver Opera
and in a new production by Tim Albery at Glimmerglass Opera, Don
Pasquale with Opera Lyra Ottawa and Arizona Opera, The Merry
Widow with L’Opéra de Montréal, Dialogues des Carmélites, Don Giovanni, and La fille du Régiment at
Vancouver Opera, Don Giovanni
and Acis and Galatea at New York City Opera,
Il Re Pastore at the
Mostly Mozart Festival, Die
Zauberflöte with the Opera Company of Philadelphia and the
Edmonton Opera, Die
Entführung aus dem Serail with L’Opéra de Québec, Little Women with Minnesota
Opera, and Haydn’s Orlando
Paladino and Handel’s Imeneo at Glimmerglass
Opera.
Symphonic performances of the
recent past have included Mozart’s Requiem with Donald
Runnicles and the Orchestra of Saint Luke’s at Carnegie Hall,
Mozart’s Mass in C with
Lorin Maazel and the New York Philharmonic, Schumann’s Scenes from Goethe’s Faust
with Franz Welser-Möst and the Cleveland Orchestra, Haydn’s The Creation with Jane
Glover and Chicago’s Music of the Baroque and with John Nelson and
Ensemble Orchestral de Paris, Messiah with the Los
Angeles Philharmonic, the Philadelphia Orchestra, the San Francisco
Symphony, and the Toronto Symphony Orchestra, Carmina Burana and
Szymanowski’s Symphony No. 3
with Robert Spano and the Atlanta Symphony Orchestra, Mozart Requiem with Donald Runnicles and the
Atlanta Symphony Orchestra (recorded and available commercially on
the Telarc label), Beethoven’s Symphony No. 9 with Paavo
Järvi and the Deutsche Kammerphilharmonie Bremen, and Bach’s St. Matthew Passion
with Nicholas McGegan and the Toronto Symphony Orchestra. Other engagements have
brought him to Les Violons du Roy with Bernard Labadie, the National
Symphony Orchestra, the Handel & Haydn Society, the Royal
Liverpool Philharmonic Orchestra with John Nelson, the Baltimore
Symphony Orchestra with Bobby McFerrin, and Lincoln
Center for
performances with the Philharmonia Baroque Orchestra and Nicholas
McGegan.
|
|